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Written By: frenchy on October 27, 2009 2 Comments

When I look at my tastes and interests in music, I can trace back a lot of their origins to my parents. Both are born in the 1940s on the island of Curacao, so what was their musical influence on me?

First of all, I have to explain that I started listening to my parents music collection at the age of six or seven. My first memory of musical enjoyment was of Melanie, the 70s folk singer. I even remember having a poster of her hanging in my room.
The first album I remember actually putting on the turntable myself was the Jesus Christ Superstar soundtrack. I played that sucker endlessly and I even went to see the movie twice; possibly not a movie for a seven year old but it was fun!

Jesus Christ Superstar



Another conscious musical discovery: the Beatles. My dad had the Red Best of Album (1962-1966); I remember playing those songs and learning the lyrics without sometimes understanding what they meant: what’s a Paperback Writer and what’s with the Norwegian Wood? Uhm.. What’s Paperback? Somehow I’ve always related with the Nowhere Man lyrics, funny..

beatles-red-large



The old man also had some 70s rock in his collection: ELO, Boston, Chicago (yuck!) and.. Alice Cooper.
Again, I didn’t get all the lyrics, but my parents were getting worried about their nine year old, singing You Can Go To Hell, word by word with a nasty growl in my throat..

Less than an hour from Venezuela, there also was a South American influence in my dad’s collection: can’t remember most of the artists, but he had some tapes of Latin Crooner Nelson Ned aka El Pequeno Gigante (The Little Giant and yes, he’s tiny or more PC: vertically challenged). Didn’t really work for me. I didn’t get into the whole Latin thing.

Classical music, yes! Well, kinda. We had this cassette tape by Waldo de los Rios, with modern interpretations of Classical music Classics. Have a look/listen on Youtube, I’m too ashamed to embed the man’s music. I think many serious fans of Classical music will have a tough time appreciating these (re)arrangements ;)
I knew a limited number of Classical songs by heart without knowing their title or their importance, let alone how they originally should have sounded.

Let’s not forget my mom: from her I got my dose of Mahalia Jackson and some more gospel music. And both her and my dad liked the Abba thing, which I now find a bit embarrassing ;)
Another possible influence my mom had on my musical taste was West-Indian music: calypso, soca, etc. I’m not sure if we had any albums but we did listen to that stuff on the radio, like Salt Fish by The Mighty Sparrow.






One special moment in my early musical life was the discovery of Jazz. Well, not the whole collection of genres and styles, just this one single track. My dad had the 45 of this song, I didn’t know what it was when I first put it on, but when it started with that weird rhythm on piano I was totally blown away. Then, that lazy, laid-back [brass] began to play and I was mesmerized. I still boast of being able to ‘recite’ the whole track by heart which of course is pure bullshit. The track? Dave Brubeck’s Take Five.








There was quite a lot of my parents’ music that I didn’t like: The Everly Brothers and Simon & Garfunkel come to mind, although later on I learned to appreciate Paul Simon’s work a bit. That’s the other thing, my dad sometimes tried to share good music with me when I was in my teens and being a teenager I just didn’t/couldn’t agree with his opinion/advice. He’s the one who told me to listen to Michael Jackson’s Thriller and Paul Simon’s Graceland. At first I just didn’t listen to those albums, but after a while I really enjoyed them a lot. I mean, Thriller introduced me to the genius of Quincy Jones.

So, yes, it’s fun to look back at what I took from my parents’ music collection and what I learned very quickly was that, like them, I liked different kinds and genres of music. It helped me keep a healthy appitite for music in all its variations. Still can’t get over the Abba thing tho..

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Written By: frenchy on October 20, 2009 No Comment

General Description
Artist/Band: Zero 7
last fm logo || Discogs Icon || Profile At MySpace
Album Title: Yeah Ghost
Year: 2009


Zero 7 - Yeah Ghost
A Different Approach, Still Familiar, Right?

How I Got Into This Music
I’ve been listening to these guys since their first album, Simple Things and I was lucky enough to see them perform live at the Paradiso in Amsterdam a few years ago. They’re one of my favorite bands and I was eager to hear what they’d concocted on this album.


Reviews: Google Search for reviews of this album Discogs Icon Artistdirect logo Artistdirect logo Wiki icon
Videos: Youtube Logo last fm logo
Have a listen on: last fm logo


Tracks that got my attention:
Count Me Out
Holy..
Ehm..
Well, this could be considered as a Fair Warning Intro. The band’s kinda letting the listeners know that things might be a bit different that any previous work. It’s very cinematic, reminiscent of Seventies LCD tripped out movies.

Mr McGee
Another change in the vocal line up. Singer Sia is totally absent from this album, moved on to greener pastures, who knows?
The replacement for the role of main album vocalist: Eska Mtungwazi. Never heard of her before, but she’s got a great and versatile voice. This track’s very up-tempo and kinda groovy with a catchy beat and chorus. It’s a typical scream-along, hum-along, sing-along track. There are traces of Gnarls Barkley and Outkast here.

Swing
Ah, that’s more like it. That would be the reaction of those fans who prefer the more laidback Zero 7 they’ve come to know and love.
It’s a real Summer Walk In The Park kinda track with sweet Feist-like vocals from Martha Tilston.

Everything Up (Zizou)
This is a nice Zero 7, version 2.0 track, with core member Henry Binns on vocals, very much like stuff they recorded on their previous album. I kinda like it; it’s catchy and upbeat with a nice mix of background vocals and simple patterns. The instrumental and more orchestrated bits during the second half of the song are great.

Pop Art Blue
Not working for me. It’s funny, because this track’s really more like their earlier style, but it’s boring. I understand their need to add more variation.

Ghost Symbol
Or, as it’s officially listed: Ghost sYMbOl.
A very interesting track. I’m almost one hundred per cent sure that this one’ll keep growing on me and become one of my favorite tracks of this album.
It’s the whole mix of all their different styles. I find Zero 7 to be looking for a middle ground in the music they’re making. A choice between Pop, Laidback Lounge, Electronic, Dance, etc. And for me, this track is their most successful attempt at mixing it all up into what could be called the Definitive Sound Of Zero 7.

Sleeper
Of the three up tempo tracks they’ve produced with Eska, this one’s the best one.

Solastalgia
Yeah, they’re back with the spacey stuff and it’s quite nice after hearing it a coupla times. It’s perfect for a documentary or a short film.

The Road
Funny, the band makes three up tempo tracks with Eska and they’re kinda okay. The fourth collaboration is laidback, almost gospel and is my favorite track on the album.

Conclusion
Zero 7 is trying to mix things up, again. After Simple Things and When It Falls they changed their game with The Garden, embracing a different mix of electronics and the combo of acoustic guitar with Jose Gonzalez‘ vocals.
With this album, Yeah Ghost, they’ve continued to try and change their style. But it’s a bit Messy: it almost seems like they don’t want to throw out the Old completely or that they still haven’t found their own definition of the New.
A lot of fans might be put off by the New style or just by the fact that it’s Messy. Maybe they just want the Old sound they liked so much. Zero 7 seem to try to keep everybody happy and I’m not sure if that’s a complete success.
Personally, I like part of the New stuff: the orchestral, cinematic stuff. But I find the up tempo poppy New stuff boring. Most of all I’m just curious to see (and hear) how this group keeps working on their music.
A bit of schizophrenia takes the boredom away, so bring it on!

Rating: ★★★☆☆

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Written By: frenchy on August 26, 2009 3 Comments

General Description
Artist/Band: Nuyorican Soul last fm logo || Discogs Icon
Album Title: Nuyorican Soul
Year: 1996

nuyorican soul
Truly, Masters At Work..

How I Got Into This Music
Television, drug of a nation.. ;)
Yeah, saw the video of the Runaway track. Felt good, a bit too retro, but seriously enamoured with the vocals. Kinda stuck in the back of my mind and later on I got the album. Boy, was I pleasantly surprised!
The Nuyorican Soul project is the product of the fabulous DJ duo called Masters At Work: Kenny Dope and Little Louie Vega. These guys are incredible producers, musicians and music fanatics.

Reviews: Google Search for reviews of this album || Discogs Icon || Artistdirect logo || Artistdirect logo
Videos: Youtube Logo || last fm logo
Have a listen on: last fm logo

Tracks that got my attention:
Intro
Think about it, how many times can you remember considering a 90 second intro as a full fledged track worth mentioning?
For me, this intro always puts a smile on my face and gets all my aching bones ready for some serious moving and grooving..

I Am The Black Gold Of The Sun
Ultimate Dance Floor Diva Jocelyn Brown giving a wicked performance on this cover. Original by The Rotary Connection (feat. Minnie Ripperton) Youtube Logo
This song has become a sort of an Anthem, it’s also been remixed/reworked by Marc Mac on his Chess Cadet All Stars album.

It’s Alright, I Feel It
Taking the piano loop from the previous track, speeding it up, adding some incredible beats and, again, Jocelyn Brown on vocals. This is one of my favorite dance tracks.

Maw Latin Blues
Masters At Work (Maw), these guys are, like I said, music fanatics and with this project they mix all kinds of styles together, including this Latin track with some sweet keyboards and percussion.

Gotta New Life
Not one of my faves, but a great jazzy track with a lovely walking bass, a slightly annoying flute and some sweet vocals.

Nautilus
Spacy stuff, got to be in the right mood to listen to this one.

Habriendo el Dominante
You don’t get any better Latin grooves than this, son! Slow buildup with the percussion and the incredible bass and then we get the piano treating us to some great grooves!

Roy’s Scat
This album introduced me to mister Roy Ayers, Soul Musician Extraordinaire! Doing his scats and playing some sweet vibes.

Sweet Tears
Let’s go Disco! Great production value: vibes and vocals, again, by Roy Ayers. Some classic bass grooves and those strings.. Oh wow! Heheh..

Runaway
This singer, India, just blew my mind. This song is so tailor-made for her voice. Great track.

(thanks, Hieronymus Fox!)

Jazzy Jeff’s Theme
Now this track changed my limited opinion about DJ Jazzy Jeff. Forget the silly tracks with the Fresh Prince. This track shows the Talent and Genius: a scratch instrumental with loops, beats and samples that just leave you flabbergasted.

You Can Do It
Closing track; after disco, latin, scratching and 70s soul, we get George Benson. Wait, what?
Yes, boys and girls, the Masters at Work produced a track that revived my interest in George Benson: a very long and moody intro with soft synth soundscapes backing up mister Benson’s guitar picking skills. And man, the guy is skilled! The main song starts after a while with Benson’s powerful voice and well-known scatting.
Like I said, MAW can do it.

Conclusion
Not all of the tracks are brilliant, but man-o-man, not one song on this album is lacking in quality. People have been taking notes from these lessons in Hi-Quality Music Production from professors Dope and Vega for more than ten years now. Masters at Work, indeed!

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Written By: frenchy on July 6, 2009 No Comment

General Description
Artist/Band: Robert Glasper last fm logo || Discogs Icon || Profile At MySpace
Album Title: In My Element
Year: 2007

Robert Glasper - In My Element
It’s all about the keys..

How I Got Into This Music
Went to see Q-Tip perform live at the Paradiso in Amsterdam a coupla months back and Hieronymus Fox did his research again and pointed me towards the guy behind the keyboards: a mister Robert Glasper. He told me Glasper also played jazz, and I got very curious about his work.

Reviews/Album Details: Google Search for reviews of this album || Discogs Icon || Artistdirect logo
Videos: Youtube Logo || last fm logo
Have a listen on: last fm logo

Tracks that got my attention:
G&B
Wow, opening track that blows you away.. Love the bass on the background, layering the song with grace and elegance in the first part. The piano work itself? Tricky, I totally adore the sharp, short and frantic stuff in the beginning of the song. Then it kinda turns into a bit of an ego stroking thing that gets a bit on my nerves.. I can never listen all the way through the track. But the way the bass melts into the foreground round the halfway mark, beautiful!

Of Dreams To Come
Great ebb and flow pattern theme. The piano is so.. clear, crisp and something else with a C. Another 8 minute track, but this one doesn’t get on my cranky nerves at all. All those little moments of serenity and beauty. Listen to that left hand giving subtle layered support. Great bass solo in the last quarter of the track. God, that’s why I love me some Bass!
The little skit at the end is pure Soul/R&B..

FTB
The opening piano and bass are just fantastic! There’s this whole sensation of warmth, coming home after a great day at the park, almost a movie score. Also the drums get some nice representation, snares and hi-hats on the front, the heavy bass drum’s on the background but still very present, hard to describe. Listen to the closing skit, yet another sweet combo of the piano and the drums, wow!
Still gotta research the title, oh well..

Y’Outta Praise Him (intro and main)
Intro: Meh, not that much of a lasting impression.. But still a great build up to the main part.
Main: Gotta love how the main track picks up after the intro. Love the variations in the theme. By now, I’ve grown accustomed to Glasper’s piano work. Dreamy, floating above the clouds and sometimes speedy as lightning mixed with broad and calming chords. It’s all about diversity.
The last two minutes of the song seem to come out of nowhere, you know it fits with what you just heard before, but you’re still caught a bit off guard.

Beatrice
This one starts like a traditional jazz piece but with this little edge to it: something modern and urban (before that term got jacked by the E-Z Labeling Company). My fetish for bass gets quite a bit of satisfaction out of this track, thankyouverymuch..
The buildup is very well executed, just kinda lacking any real conclusion. You’re kept at the edge of your seat, a very relaxed and comfortable seat with some nice snacks and a great chilled white wine, but still: seat and edge.
Really.
Nice kicker at the end of the song btw.

Maiden Voyage/ Everything In Its Right Place
Adding Herbie Hancock’s Jazz Standard, Maiden Voyage, in the mix.
Can’t find the words.. First two minutes are brilliant: setting up the theme, adding and subtracting from it from that point on. Those haunting piano notes..
What I love most of this track? That incredibly weird skit at the end. There’s this metal-on-glass tapping sound with the slow and mellow piano that just blows my mind!

J Dillalude
A tribute to J Dilla. Love the different sweet bits on the piano combined with R&B/Rap drums. Not a connaisseur of J Dilla’s work but it’s a nice tribute!

Silly Rabbit
Well.. Not really my thing.
But the phone skit at the end is bluddy brilliant!

One For ‘Grew
Sweet and Slow. Almost a piano lounge bar tune, and I’m seriously mean this as a compliment!

Tribute
I like the fact that something different is added to the mix, but it doesn’t work that well for me.

Conclusion
I have listened to this album quite a few times before I got used to it: it’s a lot of piano for a bass loving dude like me. And in the beginning the piano work on this album was a bit too much for me. But after a while, no problem at all.
It’s something I don’t hear quite often: a mix of traditional and modern jazz with the urban thing going on with the drums and some deliciously weird skits at the end of some of the tracks. I think I’ll keep listening this album for a while, but I’m not curious to listen to his other work.
This album is a beautifully intriguing work of art, meaning: it’s clever, interesting, not always my taste, a bit weird and a breath of Fresh Air.

Rating: ★★★½☆

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Written By: frenchy on May 23, 2009 One Comment

General Description
Artist/Band: KeepInTime last fm logo
Album Title: KeepInTime: A Live Recording
Year: 2004

KeepInTime - KeepInTime: A Live Recording
Late To A Great Party..

How I Got Into This Music
I was lucky enough to go the Brazil In Time concert in 2008. It was an education: an almost indescribable musical journey through the land of Brazilian beats, drums, scratches, cuts and keys. It’s still hard to explain how great the experience was.
Went on research mode to find more stuff by these guys and I found this album from their previous project: KeepInTime. This project is all about the beats: combining DJ’s with live drums played by grand old men like Roy Porter and Earl Palmer. The album is a selection of those great live performances.

Reviews/Album Details: Google Search for reviews of this album || Discogs Icon
Videos: Youtube Logo || last fm logo
Have a listen on: last fm logo

Tracks that got my attention:
Keep In Time Theme – KeepInTime with Charlie Dark
Just love the opening beats and smaples. When the song gets to work, the weird keyboard loops (I’m totally guessing here) just gets me all hyped. This of course can lead to getting a bit annoyed by the weirdness, but those smart guys mix it up just perfectly to create a nice but fragile balance between hyped/buzzing and annoying.

Infinity Of Rhythm Mix – KeepInTime with Ammoncontact
Heheh, great title for a great song. Love the mix of the laid-back keys and the sampled bluesy vocals. The biggest treat for me is the use of the I’ve Got The Rhythm, You Got The Rhythm bit from A Tribe Called Quest’s Rhythm (Devoted To The Art Of Moving Butts). The change-up halfway the song took me by surprise, I like the rap and keyboard play/sample followed by a very mellow bit on keyboards. Closing part of the track’s also a tip of the hat to ATCQ. Great stuff!

Bring Madlib Up – KeepInTime with DJ Shadow
Still gotta spend some time listening to DJ Shadow’s impressive body of work, different collaborations and styles. For now, this track will do and it really doesn’t disappoint. I’ve grabbed people by the neck to let them hear this song; even complete strangers.. It’s so unbelievably energetic! It’s so friggin’ hard to describe, sigh..
Here we go: the intro? I still don’t know how they produced that sound, but it incredibly effective. Then, the beat jumps/storms in, with a great scratch sample. They use Chic’s classic Good Times violins in a refreshing way, still reminding you of its hip-hop legacy. After the break in the middle they take it to the next level with a Prodigy industrial type of guitar synth sample and some very, very sick and tight scratching.
That was Fresh!

A Peek In Time – KeepInTime with Cut Chemist
Shit.. Cut Chemist sets up the opening sample, making me expect some frantic stuff coming my way. Then the same sample is slowed down and made me think the song would slow down a bit. The catch? The sample’s slowed down but the track itself continues at another and different frantic tempo.
Uhm.. Did I really try to describe this track? Uhm.. Why?
Just get your ass in gear and go find the damn song. I’ve used a part of it as a musical background for a street scene I filmed of Saigon traffic.

A perfect fit! Great Brazilian vibe with the acoustic guitar and the scratched vocals.

Kings On The Mix – KeepInTime with King Britt
Another musical legend doing his stuff. The intro always puts me off and most of the time I skip this track. It’s a bit heavy on the trance vibe, not really my cup of tea.

Paulista Remix – KeepInTime with Eric Coleman
The intro is beautiful, the slow build-up is very well done. Nice mix of horns and flute, but it always triggers memories of some other latin style song I seem to have stored in that rotted grey hard disk in my head (probably running on Windows 3.11.. there, I made a geek reference, satisfied?)

A Remix In 3 Parts – KeepInTime with OhNo
Tough call. Three parts, each separate part don’t impress me that much and the some of the parts don’t add up to anything better. The best bit’s halfway the track, the retro synths with the vocoder vocals are perfectly moody. It’s all very nice and crafty, full of brilliant moments and ideas, but.. Doesn’t work for me.

Talking Drums Whispering Vinyl – KeepInTime with Quantic Soul Orchestra
Read some backmatter on the KeepInTime project and …
Wished I could’ve seen this track being performed live.

Roy’s Theme – KeepInTime with DJ Shadow
Great vocal samples, classic beats and horns. 

Dirty Fingered – KeepInTime with J.Rocc
This mix of sounds and samples should be listened with your eyes closed and with a headphone on. Not everything is great, but after listening a few times, you’ll be amazed by how well sounds are layered and styles are mixed on this track. The different styles keep taking you in all different directions and I love the break with the simple guitar and breakbeats. 

Song For Sophia / You Can Know Her – KeepInTime with Nobody and Doi Todd
Mixed feelings with this track. That intro is so un-fucking-believable! The weirdness keeps coming at you but it also feels like a safety blanket, warm and safe and ready to choke you. Like I said, mixed feelings.

From SP On My 303 – KeepInTime with DJ Nuts
Wow. I wanted to skip this track for this review, went to browse the internet for some backmatter while this one kept playing on. And while watching pictures of nude.. reading an interesting article on rhubarbs, I was suddenly pulled back into this song. Still hate the intro and the opening theme and scratching. Then, halfway they inject some cartoon sounds and the setup changes: a great cool piano, a lonely trombone/saxophone and sweet 70s female backing vocals in the foreground. And then of course, both themes are combined to close off the whole thing. What the hell?!?

All Lights On Stage That Night – KeepInTime with Daedelus
My ears just start weeping when I hear this song. Sometimes it’s because of the overwhelming joy the track brings. Sometimes it’s because of the overwhelming cacophony that makes me want to crawl into a corner and stab little kittens. What, too much information? Oh. Okay.. Where was I? 
The operative word here is: overwhelming. I’ve never ever heard something like this: the different beats and tempos, the weird string and horn samples and arrangements, it’s just too much!

Conclusion
I live for this sort of moments: hearing something new, something you haven’t experienced before, something weird, different, unsettling. The weird parts are really weird, the great parts are pure bliss. But even the mediocre or crap bits are still interesting. It’s all about the experiment, making me want to take a peak into these artists’ heads to get a better idea of what they were thinking when creating this music. That’s the beauty of this album and the KeepInTime project!
  

Rating: ★★★★½

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